Since 1 May, “The Forgotten Legend of Zurich” has been captivating audiences at Kirche Enge – and media outlets and cultural platforms have already taken notice. Here is an overview of the coverage published so far:

TeleZüri, the local TV channel, dedicated a segment to the show shortly after its premiere in its ZüriNews broadcast. Under the title “A Journey Through Time at Kirche Enge”, the channel describes how the immersive show brings the past to life through colour, music and live performance. 👉 Watch the segment on telezueri.ch

Blick, one of Switzerland’s most widely read newspapers, has covered the show in two separate pieces: an editorial feature presenting the production and its origins, and a competition giving away 15 x 2 tickets. 👉 Read the article on blick.ch 👉 Enter the competition on blick.ch

Ron Orp, Zurich’s much-loved urban magazine with a loyal local readership, featured the show under the title “Zürich als Legende” in its Ron’s Tips section. 👉 Read the article on ronorp.net

The Reformed Church of Zurich, which is hosting the show, published an in-depth article in which director Damien Fontaine shares his artistic vision and explains why Kirche Enge brings a unique energy to the production. 👉 Read the article on reformiert-zuerich.ch

Switzerland Tourism / MySwitzerland has added the show to its official events directory and recommends it as a one-of-a-kind experience for visitors from around the world. 👉 See the listing on myswitzerland.com

kulturzüri.ch, the City of Zurich’s cultural portal, also lists the show in its programme, presenting it as a standout experience in the theatre and music theatre category. 👉 See the listing on kulturzueri.ch

New in Zurich, the English-language city guide, calls the show one of the most innovative light installations in Zurich in 2026, highlighting in particular the blend of cutting-edge technology and live performance. 👉 Read the article on newinzurich.com

And yet another article putting the spectacle at Kirche Enge in the spotlight: Ajour describes the production as a “total work of art.”